A 16-year-old confesses to the murder of a local celebrity—a hero of New Orleans’s shaky post-storm recovery… The boy’s father, doing life in prison on the installment plan for a series of minor offenses, will do anything to save him…

Enter Ben Alder, a carpetbagging attorney (and former rabbinical seminary student) who has drifted down to New Orleans. He winds up defending them both.

Ben and his partner, Boris, are public defenders obsessed with redeeming their case history of failures, and willing to do anything to protect their clients. As Ben tries to disrupt a corrupt and racist criminal justice system that believes an inexplicable crime has been solved, he confronts his own legacy of loss and faith. And as the novel hurtles towards its tragic, redemptive conclusion, Ben finds himself an onlooker and a perpetrator where he thought he was the hero.

A riveting and propulsive story about loyalty and grief, Seraphim is also an unflinching cross-examination of a broken legal system; a heartbreaking portrait of a beautiful, lost city, filled with children who kill and are killed; and a discomforting reflection on privilege, prejudice, and power.

Climate change resists narrative—and yet some account of what’s happening is needed. Millions of lives are at stake, and upward of a million species. And there are decisions to be made, even though it’s unclear who, exactly, will make them.

In H Is for Hope, Elizabeth Kolbert investigates the landscape of climate change—from “A”, for Svante Arrhenius, who created the world’s first climate model in 1894, to “Z”, for the Colorado River Basin, ground zero for climate change in the United States. Along the way she looks at Greta Thunburg’s “blah blah blah” speech (“B”), learns to fly an all-electric plane (“E”), experiments with the effects of extreme temperatures on the human body (“T”), and struggles with the deep uncertainty of the future of climate change (“U”).

Adapted from essays originally published in The New Yorker and beautifully illustrated by Wesley Allsbrook, H Is for Hope is simultaneously inspiring, alarming, and darkly humorous—a unique examination of our changing world.

In the fall of 1944, Joe Paul Hendrickson, the author’s father, kissed his twenty-one-year-old wife and two baby children goodbye. The twenty-five-year-old first lieutenant, pilot of a famed P-61 Black Widow, was leaving for the war. He and his night fighter squadron were sent to Iwo Jima, where, for the last five and a half months of World War II, he flew approximately seventy-five missions, largely in pitch-black conditions. His wife would wait out the war at the home of her small-town Ohio parents, one of the countless numbers of American family members shouldering the burden of being left behind.

Joe Paul, the son of a Depression-poor Kentucky sharecropper, was fresh out of high school in 1937 when he enlisted in mechanic school in the peacetime Army Air Corps. Eventually, he was able to qualify for flight school. After marriage, and with the war on, the young officer and his bride crisscrossed the country, airfield to airfield, base to base: Santa Ana, Yuma, Kissimmee, Bakersfield, Orlando, La Junta, Fresno. He volunteered for night fighters and the newly arrived and almost mythic Black Widow. A world away, the carnage continued. As Paul Hendrickson tracks his parents’ journey, together and separate, both stateside and overseas, he creates a vivid portrait of a hard-to-know father whose time in the war, he comes to understand, was something truly heroic, but never without its hidden and unhidden psychic costs.

Bringing to life an iconic moment of American history, and the tragedy of all wars, Fighting the Night is an intense and powerful story of violence and love, forgiveness and loss. And it is a tribute to those who got plunged into service, in the best years of their lives, and the sacrifices they and their loved ones made, then and thereafter.

Al Jolson, born Asa Yoelson, immigrated from a shtetl in Lithuania to the United States in 1894 after his father secured a job as a rabbi in Washington, D.C. A poor, Yiddish-speaking newcomer navigating a racially segregated and antisemitic America, young Jolson dreamed of becoming a star, and he did. Thanks to his immense talent and his knack for assimilating into new environments, by the time he reached his twenties he was the most famous and highly paid entertainer in America, making almost $5,000 a week at a time when the average American made $800 a year. Jolson’s public adoration and widespread acceptance as a star marked the beginning of an enriching cultural transformation, a moment when the American mind opened up to ethnic and racial differences, widening the gap of acceptability. And yet Jolson himself, despite being ferociously ambitious and gigantically talented, was crippled by insecurity, often nervous to the point of collapse, prisoner to his many vices.

Through Jolson, Bernstein simultaneously breaks open the history and legacy of the cultural sensation The Jazz Singer. Not only was The Jazz Singer the first feature length film with synchronized music and dialogue, but it was also taboo smashing in its content: The Jazz Singer is all about Jews, Orthodox and otherwise. Bernstein expounds on the making of The Jazz Singer, what the film meant then and now, introducing the many individuals involved in its production, including Samson Raphaelson, a young Jewish writer whose short story was the basis for the movie; the four Warner brothers, who made a fortune off it; and George Jessel, Jolson’s rival and the star of Raphaelson’s stage adaptation of his short story. In the background emerges a picture of old Hollywood in the Roaring Twenties: cutthroat and greedy yet visionary and progressive. And while The Jazz Singer represented the future in many ways, it also dredged up the worst of the past, including Jolson’s use of blackface, common at the time.

At once a tale of the Judaizing of American culture and an acknowledgment of the challenges to come, Only in America is a glistening examination of a man at the center of a watershed moment in the arts.

For generations, celebrity trainers have preached that dog owners must “dominate” dogs and have criticized people for daring to treat pets with affection.

How To Train Your Dog with Love + Science presents a modern and science-based approach to dog training, showing how behavior can be changed without coercion and force. Annie Grossman, a journalist-turned-dog trainer, breaks down what positive reinforcement actually is and makes the case that “good dog training” may even be a window into understanding ourselves.

Grossman offers building-block exercises and tips on how to train effectively using the reward-based methods she’s honed over the last decade with clients at her Manhattan training center, School For The Dogs. Whether you’ve just brought a new dog into your home or you’re wanting to teach an old one new tricks, How to Train Your Dog with Love + Science will help you consider what behaviors you want and help you to achieve your goals using techniques rooted in the science of behavior.

Woven into this lively how-to guide is the century-long history of positive reinforcement training, from Pavlov’s dogs and Skinner’s rats to today’s apartment-dwelling dogs using Wifi-enabled devices.

By employing the easy-to-understand techniques laid out in this book, you will be able to train your dog to live confidently, comfortably, and happily in your world.

A turkey is the centerpiece of countless Thanksgiving and Christmas dinners. Yet most of us know almost nothing about today’s specially bred, commercially produced birds. In this brief book, bestselling author Peter Singer tells their story—and, unfortunately, it’s not a happy one. Along the way, he also offers a brief history of the turkey and its consumption, ridicules the annual U.S. presidential “pardon” of a Thanksgiving turkey, and introduces us to “a tremendously handsome, outgoing, and intelligent turkey” named Cornelius. Above all, Singer explains how we can improve our holiday tables—for turkeys, people, and the planet—by liberating ourselves from the traditional turkey feast. In its place, he encourages us to consider trying a vegetarian alternative—or just serving the side dishes that many people already enjoy far more than turkey. Complete with some delicious recipes for turkey-free holiday feasting, Consider the Turkey will make you reconsider what you serve for your next holiday meal—or even tomorrow’s dinner.

In Burning Sky, three generations of a family confront the life-and-death challenge of global warming. The first, a cantankerous climatologist, raises the alarm. The second, a brilliant scientist with a lust for power that spawns a dictatorship, constructs “the Cocoon,” a stratospheric shield to deflect sunlight. When it cuts the Earth off from the blue sky and majestic stars and plunges our planet into an eternal miasmic fog, it is up to the third generation—the very son and daughter of the scientist—to try to overthrow him and dismantle his pernicious works.

In aiming to undo the damage of their ancestors, perhaps the younger generation can set humanity on a wiser course.

Adam Zantz is still driving for Lyft, struggling to make ends meet, when his beloved former piano teacher makes a deathbed request: He wants Zantz to prove his son’s innocence in a decades-earlier murder case.

There doesn’t seem to be much hope of solving such a cold case—until Zantz stumbles onto a test pressing of a never-released vinyl LP. The recording is of a high school garage band lost to the tides of the Paisley Underground, the acid-fueled early ’80s music scene that spawned the Bangles and the Three O’Clock.

Down the psychedelic rabbit hole Adam falls, tracing the band’s journey from the middle class garage to the precipice of fame—a twisted tale marked by crooked DJs, elder-scammers, wellness hucksters, a teen cult, and the woman who held the key to the band’s triumph and ruin.

One part Raymond Chandler, one part Ziggy Stardust, Cinnamon Girl is both an indelible, moving portrait of Los Angeles, and a suspenseful tale of greed, lust, betrayal, and the hidden price of teenage yearning.

A struggling songwriter and Lyft driver, Adam Zantz’s life changes when he accepts a ride request in Malibu and 1970s music icon Annie Linden enters his dented VW Jetta. Bonding during that initial ride, the two quickly go off app— over the next three years, Adam becomes her exclusive driver and Annie listens to his music, encouraging Adam even as he finds himself driving more often than songwriting.

Then, Annie disappears, and her body washes up under a pier. Left with a final, cryptic text— ‘come to my arms’— a grieving Adam plays amateur detective, only to be charged as accomplice-after-the-fact. Desperate to clear his name and discover who killed the one person who believed in his music when no one else in his life did, Adam digs deep into Annie’s past, turning up an old guitar teacher, sworn enemies and lovers, and a long-held secret that spills into the dark world of a shocking underground Men’s Rights movement. As he drives the outskirts of Los Angeles in California, Adam comes to question how well he, or anyone else, knew Annie— if at all.

The Last Songbird is a poignant novel about love, obsession, the price of fame and the burden of broken dreams, with a shifting, twisting plot that’s full of unexpected turns.