What led Darwin to the theory of evolution? Why did he wait twenty-two years to write On the Origin of Species? Why was he incapacitated by mysterious illnesses and frightened of travel? Who was his secret rival? These are some of the questions driving Darnton’s richly dramatic narrative, which unfolds through three vivid points of view: Darwin’s own as he sails around the world aboard the Beagle; his daughter Lizzie’s as she strives to understand the guilt and fear that struck her father at the height of his fame; and that of present-day anthropologist Hugh Kellem and Darwin scholar Beth Dulicmer, whose obsession with Darwin (and with each other) drives them beyond the accepted boundaries of scholarly research. What Hugh and Beth discover–Lizzie’s diaries and letters lead them to a hidden chapter of Darwin’s autobiography–is a maze of bitter rivalries, petty deceptions, and jealously guarded secrets, at the heart of which lies the birth of the theory of evolution.
With The Darwin Conspiracy, John Darnton again delivers a stunning tapestry of history and imagination, a galvanizing novel.
Bad news is brewing in the inner sanctum of the New York Globe, the city’s long-standing newspaper of note, whose back is to the wall. Readership, advertising, and circulation are plummeting—along with the paper’s vaunted standards—and the cost cutters have their knives out. But trouble of a wholly different kind begins one rainy September morning when a powerful editor is found murdered in the newsroom, with the spike that he’d wielded to kill stories hammered into his chest. The problem for Priscilla Bollingsworth, the young, ambitious female NYPD detective assigned to the case—besides the fact that the mayor is breathing down her neck—is that there are too many suspects to choose from.
She teams up with Jude Hurley, a clever, rebellious reporter, and together they navigate the ink-infested waters whose denizens include the paper’s resentful old guard, scheming careerists, a bumbling publisher, a steely executive editor, and a rival newspaper tycoon named Lester Moloch. But the waters thicken considerably when more bodies turn up, dead all over.
Armed with the firsthand knowledge he has acquired through forty years in journalism, John Darnton conjures up the cynicism and romanticism of the profession and gives us a cunning, pitch-perfect portrait of the declining—if not yet murderous—newspaper industry. Black and White and Dead All Over is a satirical mystery that entertains from first to last.
John was eleven months old when his father, Barney Darnton—a war correspondent for The New York Times—was killed in World War II. John’s mother, a well-known reporter and editor, perpetuated a myth of Barney as a hero who gave his life for his family, country, and the fourth estate. Decades after his father’s death, John and his brother, the historian Robert Darnton, began digging into the past to discover who the real-life Barney Darnton was. When they did, they found a man who was far different from the story they had grown up with. Intensely moving and vividly descriptive, Almost a Family is the compelling story of one man’s search for the truth.
In the year 629, a greatly revered Chinese Buddhist monk, Hsuan Tsang, set out across Asia in search of the Buddhist Truth, to settle what he called the “perplexities of my mind.” Nearly a millennium and a half later, Richard Bernstein retraces the monk’s steps: from the Tang dynasty capital at Xian through ancient Silk Road oases, over forbidding mountain passes to Tashkent, Samarkand, and the Amu-Darya River, across Pakistan to the holiest cities of India—and back.
Juxtaposing his experiences with those of Hsuan Tsang, Bernstein reconstructs the hazards and glories of this long and sinuous route, comparing present and past. The monk described what he saw and experienced: landscapes, customs, and, above all, people and the variety of religious beliefs held by those he met. So does our present-day author—taking us to Buddhist cave temples, to the holy places of the Buddha’s own life, to the ruins of the Gandharan civilization in Pakistan, to the university in the Ganges Valley where Hsuan Tsang studied. He too encounters extraordinary figures— among them a German monk in Bodhgaya, a down-and-out maharaja, and a supposed reincarnation of Shiva.
And he follows the path of Hsuan Tsang not only in physical but in contemplative ways, reflecting on the mysteries and paradoxes of Buddhist philosophy and on the nature of the Ultimate Truth that was Hsuan Tsang’s goal.
Ultimate Journey is a vivid, profoundly felt account of two stirring adventures—one in the past and one in the present—in pursuit of illumination.
In 1977, when Zhongmei Lei was eleven years old, she learned that the prestigious Beijing Dance Academy was having open auditions. She’d already taken dance lessons, but everyone said a poor country girl would never get into the academy, especially without any connections in the Communist Party of the 1970s. But Zhongmei, whose name means Faithful Plum, persisted, even going on a hunger strike, until her parents agreed to allow her to go. She traveled for three days and two nights to get to Beijing and eventually beat out 60,000 other girls for one of 12 coveted spots. But getting in was easy compared to staying in, as Zhongmei soon learned. Without those all-important connections she was just a little girl on her own, far away from family. But her determination, talent, and sheer force of will were not something the teachers or other students expected, and soon it was apparent that Zhongmei was not to be underestimated.
Zhongmei became a famous dancer, and founded her own dance company, which made its New York debut when she was in just her late 20s. In A Girl Named Faithful Plum, her husband and renowned journalist, Richard Bernstein, has written a fascinating account of one girl’s struggle to go from the remote farmlands of China to the world’s stages, and the lengths she went to in order to follow her dream.
In this wide-ranging history, Richard Bernstein explores the connection between sex and power as it has played out between Eastern cultures and the Western explorers, merchants, and conquerors who have visited them. This illuminating book describes the historical and ongoing encounter between these travelers and the morally ambiguous opportunities they found in foreign lands. Bernstein’s narrative teems with real figures, from Marco Polo and his investigation into the harem of Kublai Khan; the nineteenth-century American missionary Isabella Thoburn and her efforts to stamp out the “sinfulness” of the Mughal culture of India; Gustave Flaubert and his dalliances with Egyptian prostitutes; to modern-day sex tourists in Southeast Asia, as well as the women that they both exploit and enrich. Provocative and insightful, The East, The West, and Sex is a lucid look at a pervasive and yet mostly ignored subject.
Multiculturalism — along with its synonym “diversity” — has radically different meanings for two large segments of the American people. The conflict between these groups is now the source of bitter and widespread controversy and confrontation. It has become the issue in the last decade of the twentieth century.
Dictatorship of Virtue is a passionate, provocative, and rigorously documented examination of multiculturalism — its noble roots and the abuses and excesses perpetrated in its name.
While applauding the true meaning of multiculturalism — equality of opportunity and social justice — Bernstein fears that there is a pulling away from certain cultural norms, adherence to which traditionally has enabled Americans to board the great engine of upward social mobility.
Multiculturalism, that universe of good intentions born of the civil rights movement and deriving from principles all good people hold dear, has too often become a dictatorship of virtue. What this means for our society and what we can do about it is brilliantly and lucidly presented in a book that will stand as an important contribution to the great debate of the nineties — and beyond.
From two former Beijing bureau chiefs with long experience in Asian affairs comes a clear-eyed and uncompromising look at the potentially disastrous collision course now taking shape in US-China relations. Aggressively anti-American, China has nuclear weapons deliberately targeted at the United States. Recent confrontations between Chinese and American military forces indicate that China may try to take Taiwan by force. While our trade deficit rises to unprecedented heights, the powerful new china lobby shapes US policy with the support of American businesses eager for a share of its booming markets. The Coming Conflict with China is required reading for those who wish to understand the tense global rivalry that is already shaping the course of the 21st century.
As 1945 opened, America was on surprisingly congenial terms with China’s Communist rebels—their soldiers treated their American counterparts as heroes, rescuing airmen shot down over enemy territory. Chinese leaders talked of a future in which American money and technology would help lift China out of poverty. Mao Zedong himself held friendly meetings with US emissaries, vowing to them his intention of establishing an American-style democracy in China.
By year’s end, however, cordiality had been replaced by chilly hostility and distrust. Chinese Communist soldiers were setting ambushes for American marines in north China; Communist newspapers were portraying the United States as an implacable imperialist enemy; civil war in China was erupting. The pattern was set for a quarter century of almost total Sino-American mistrust, with the devastating wars in Korea and Vietnam among the consequences.
Richard Bernstein here tells the incredible story of that year’s sea change, brilliantly analyzing its many components, from ferocious infighting among US diplomats, military leaders, and opinion makers to the complex relations between Mao and his patron, Stalin.
On the American side, we meet experienced “China hands” John Paton Davies and John Stewart Service, whose efforts at negotiation made them prey to accusations of Communist sympathy; FDR’s special ambassador Patrick J. Hurley, a decorated general and self-proclaimed cowboy; and Time journalist, Henry Luce, whose editorials helped turn the tide of American public opinion. On the Chinese side, Bernstein reveals the ascendant Mao and his intractable counterpart, Nationalist leader Chiang Kai-shek; and the indispensable Zhou Enlai.
A tour de force of narrative history, China 1945 examines the first episode in which American power and good intentions came face-to-face with a powerful Asian revolutionary movement, and challenges familiar assumptions about the origins of modern Sino-American relations.